How it accomplishes this: by setting its sights so low that it actually breaks through the basement -- previously established by such masters as the brothers Farrelly and Wayans, Judd Apatow and Kevin Smith and enters a new, unexplored dimension of awfulness where bad is good and what some might call obscene and offensive is awesome. It also helps that it's as funny as [include your own unprintable,four-letter vulgarity here].
Structured as a movie pitch by a deranged screenwriter (Dennis Quaid)to an increasingly disturbed producer (Greg Kinnear), "Movie 43" opens with a bang, top-loading the almost shockingly star-studded film with two of its biggest gets: Kate Winslet and Hugh Jackman. The Oscar winner and her Oscar-nominated co-star play a couple on a blind date that goes horribly (yet hilariously) wrong when she discovers that he, despite being perfect in almost every other way, has a prominent sexual deformity. To say more would spoil the surprise. And, quite frankly, it wouldn't make my enthusiastic, almost unreserved recommendation of this film any more credible. On paper, the movie (which has multiple writers and directors, including Peter Farrelly) sounds dreadful. The onslaught of bathroom humor, racist and homophobic sight gags, and beyond-risque humor seems terrible. In fact, it is terrible.
Part of the almost surreal joke of the concept is that this script would never get made in the real(i.e., decent) world.
"Movie 43" is aided by a great, game cast, which includes such dramatic heavy hitters as Naomi Watts, Liev Schreiber, Emma Stone, Uma Thurman, Terrence Howard and Halle Berry, along with such comedy powerhouses as Stephen Merchant, Jason Sudeikis, Jack McBrayer and Anna Faris.
Is every skit a home run? No. But when "Movie 43" makes contact with the ball (and I mean that in every sense of the word), it hits it out of the park. "Movie 43" (90 minutes) is rated R for copious amounts of obscenity, nudity, sex, violence, scatological humor and other offenses against nature and decency.