Peter Jackson is man who owns the box office with his "Lord of the Rings" trilogy and the more recent "The Hobbit: An Unexpected Journey."
But with the magnificent documentary "West of Memphis," Jackson reveals the results of his own unexpected journey, from New Zealand to rural Arkansas, where he and an unwavering band of filmmakers, artists and other dissenters challenged the judicial system and won.
The case of the West Memphis Three -- Damien Echols, Jason Baldwin and Jessie Misskelley, imprisoned as teens in the 1993 murders of three Cub Scouts -- has become widely known through the activism of A-list actors and musicians who took up the cause.
After seeing a previous film on the subject, "Paradise
"West of Memphis" is nonfiction filmmaking at its best, a film with a fierce point of view, yet one that doesn't pretend to have all the answers or a monopoly on truth. It beautifully blends the detachment of objective observation with the conviction of informed judgment.
Most importantly, it tells a great story, one that surprises, appalls, riles and gratifies, even as it leaves at least as many questions as it resolves.
The case shocked the people of West Memphis, Ark., where
The suspects were convicted in part on a confession Misskelley later recanted, one filled with conflicting details that critics claim was coaxed and prodded by police interrogators. Baldwin and Misskelley were sentenced to life in prison, while Echols was condemned to death.
After Joe Berlinger and Bruce Sinofsky's 1996 documentary "Paradise Lost: The Child Murders at Robin Hood Hills" questioned the prosecution's case, activists rallied around the suspects. Celebrities jumped in, among them Johnny Depp, Eddie Vedder, Natalie Maines and Patti Smith, who all appear in "West of Memphis."
Rallies were held, benefits were staged, appeals were filed. A landscape artist named Lorri Davis began corresponding with Echols, eventually taking the lead in the case and marrying him while he was on death row.
Along with Jackson, interviewed extensively in the documentary, and Walsh, Davis and Echols serve as producers on "West of Memphis," creating an
Unequivocally, the film is on the defendants' side, characterizing police and prosecutors as either inept, deceitful, or both. Yet Jackson, Berg and their collaborators are nothing but thorough, providing detailed segments with witnesses who now retract testimony that helped convict the defendants and hiring not just one, but half a dozen, of their own forensics experts, who all dispute evidence presented by prosecutors.
After 18 years in prison, Echols, Baldwin and Misskelley were freed in 2011 after entering guilty pleas that allowed them technically to maintain their innocence. It's a triumphant moment in "West of Memphis," one that likely would not have come to pass without the efforts of the filmmakers.
Like many great dramas, it's an ending that satisfies but also vexes, because the story really isn't over. The film builds a convincing case for the innocence of the West Memphis Three, but it might take some deathbed confession to know what really happened.
'west of memphis'
* * * 1/2
Rating: R (for violent content and language)
Director: Amy Berg
Running time: 2 hours, 27 minutes.